‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To FailMarch 31, 2026 Shivam Pota
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands CertaintyMarch 31, 2026 Mukulika Batabyal
What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
Essay Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas Sree March 23, 2026March 24, 2026
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
Column · Netflix · Streaming Now Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty Mukulika Batabyal March 31, 2026April 1, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty
Article · Essay The Relationship Between the Awards Ceremonies and the Film Press David Morgan Brown August 20, 2024
Article · Essay Andrei Tarkovsky as an Existentialist Cinematic Philosopher Bijaya Biswal July 14, 2023
Article TIFF 2017: New Images & Clip From Agnès Varda & JR’s “Faces Places” Shikhar Verma February 20, 2021
Article TIFF 2017: New Images and Clip from Hong Sang Soo’s The Day After Amritt Rukhaiyaar February 20, 2021
Article · Essay Jerusalem: The virtual pilgrimage to the land of perennially ambiguous identity. Mohsin Mistri February 20, 2021
Article · Essay Here Is Why the Non-Linear Narrative In ‘Dunkirk’ Didn’t Work Suvo Pyne February 20, 2021