Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Article · Essay A Lookback at The Unofficial Oliver Stone US Presidents Trilogy Lakshmi Muthiah August 1, 2021
Article · Fan Theory How The Face of Another (1966) Finds Its Right Audience in 2019 High on Films February 27, 2021
Article · Essay Waterland (1992) Analysis: A Subtle Apocalyptical Critique of the Episteme Called Human High on Films February 22, 2021
Article · Essay How Noah Baumbach’s Kicking and Screaming explores Post Academia Tedium and Meaning of Life High on Films February 22, 2021
Article · Fan Theory How Spike Jonze’s Her Examines the Feminine Side of a Man Theodore Gercke February 22, 2021
Article · Essay 40 Years of Francis Ford Coppola’s Apocalypse Now David Morgan Brown February 22, 2021