Pan Nalin’s Angry Indian Goddesses is not the revolutionary film it sets out to be. Yet, it leaves a mark for there are seven leading ladies who aren’t only beautiful, but are also a racing alert for the ogling male entity that they can fire-up on all cylinders if the fuel is all filled up and its a left hand drive.

Unlike most Bollywood films that center around women, the greatest strength of AIG is the ability to peel off the inner most layers of the psyche of a women along with the layer above it.