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Film Festivals | TIFF

I Do Not Care If We Go Down In History As Barbarians [2018]: TIFF Review – ‘Critique of Pure Reason’

ByAmritt Rukhaiyaar September 13, 2018September 13, 2018

“I do not care if we go down in history as barbarians.” With the aim to initiate ethnic cleansing on…

Angel [2018]: ‘TIFF’ Review – Ex-drummer Director’s New Film Submerges Mutual Desire in a Disappointing Cocktail Of Despair

ByShikhar Verma September 11, 2018July 30, 2023

After a hiatus of 8 years, Koen Mortier; the controversial director of the nihilistic punk feature Ex-drummer is back with…

Review

The Nun [2018]: A Lackluster Spin-off That Sinks Into Its Mediocrity

ByRahul Patel September 10, 2018February 27, 2026

“An unholy soul hunting for the vulnerable human body”: sounds very familiar nowadays. Isn’t it? “The Nun” had a huge…

Review

Eyes Without A Face [1960] Review: A Masterwork of Surgical Filmmaking

BySumit Singh September 7, 2018February 6, 2021

As chilling as it is captivating, Eyes Without a Face (also known as Les yeux sans visage) is a work…

Review

TIFF’s Film Critic Diversity- Equality Over Equity

ByDavid Morgan Brown September 4, 2018September 10, 2018

This whole equation of “there isn’t enough of y community in x workforce” is a completely low-resolution argument that needs to be immediately expunged from rational discourse. The barriers that stop any group of people becoming successful in film criticism, or any industry, need to be identified and eradicated as much as possible, but this form of employment equity is an egregious way of tackling the problem at its end result, not its source.