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Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
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ColumnWhen Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated FilmsDecember 21, 2025 Santosh Kumar Mamgain
EssayWhere Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’December 20, 2025 Nileena Sunil
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ColumnBeyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ December 12, 2025 Shefali Khan
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ColumnShared Guilt and Divergent Fates: Why ‘Dies Irae’ Feels Like Psycho’s Distant Cousin December 11, 2025 Gourab Saha
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty
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Column Why Social Strategy Now Makes or Breaks Opening Weekend – How Social Media Became Hollywood’s Secret Weapon Kay A. Oliver February 24, 2026
Column How the Noir Detective Changed Through the 20th Century: The Erosion of Masculine Control in Film Noir Ben Brewster February 19, 2026
Column From Tbilisi to Seoul: Why Korean Cinema Feels Familiar to a Georgian Filmmaker Medea Tchelidze February 19, 2026
Column Who Creates the Monster? Psycho, Cairo Station, and the Violence We Refuse to See Masa Awartani February 14, 2026
Column Comfort That Tells the Truth: Community’s Metafiction and Why Greendale Still Matters Ethan Law February 14, 2026
