Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ October 18, 2025 Dan Flattery
The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
Essay Control, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948) Bella Madge October 15, 2025October 15, 2025
Column Hong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’ Sayantani Datta October 14, 2025October 20, 2025
Column Dehumanization, Fear, and Power: Unpacking Xenophobia in Scorsese’s ‘Gangs of New York’ Subhankar Das October 14, 2025October 20, 2025
Column Architects of the State: Political Allegory and Allegiance in ‘The Brutalist’ Dan Flattery October 18, 2025October 18, 2025
Column The Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’ Bipasha Bhattacharyya October 17, 2025October 17, 2025
Column The Smashing Machine: The Many Faces of Dwayne ‘The Rock’ Johnson Charlie Gaskell October 17, 2025October 17, 2025
ColumnWeapons of the American Dream: How Zach Cregger’s Weapons (2025) Reflects Today’s RealityAugust 13, 2025 Deepshikha Deb
ColumnCinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Paris August 7, 2025 Naman Kumar
ColumnThe Return of ‘Chaotic Women’ in Indian Independent Cinema August 6, 2025 Bipasha Bhattacharyya
EssayThe Rajinikanth Effect: How Thalaivar’s Meteoric Charm Forged A Cultural PhenomenonAugust 5, 2025 Anju Devadas
ColumnThe Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
EssayBeyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema July 31, 2025 Anju Devadas
ColumnWhy do all the Contemporary Villains Sound Like They’ve Read Camus? July 30, 2025 Bipasha Bhattacharyya
ColumnThe Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindan’s Pokkuveyil (1982, Twilight)July 30, 2025 Rugmini Dinu
EssayHaunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985)July 28, 2025 Anju Devadas
ColumnThe Horror of the Unseen: How the 1999 Movie ‘The Blair Witch Project’ Redefined FearJuly 24, 2025 Em Stonham
Essay The Art Vs. Artist Discourse: Reassesssing The “separation” Paradigm In Film Anju Devadas September 2, 2025
Essay Why Women Centric Films in Hindi Cinema are not Necessarily Feminist Films? Santosh Kumar Mamgain August 23, 2025
Essay I Speak in Three Languages, Write in Two, Love in One: ‘Lootera’ and Romance in Vernacular Damayanti Ghosh March 15, 2025
Essay Sexual Violence and the Objectification of Women in Hindi Cinema Santosh Kumar Mamgain March 8, 2025
Essay Robert Eggers’ ‘Nosferatu’ (2024): Changes and Continuity in Vampiric Traditions Kalpa Jyoti Bhuyan March 2, 2025
Essay Sex, Power, and Representation: Analyzing Sean Baker’s ‘Anora’ Through Feminist and Auteur Lenses Ritesh Sharma March 2, 2025
Essay Watchmen: The Often-Overlooked Differences Between Zack Snyder’s Movie and Alan Moore’s Graphic Novel Mohan Kumar December 3, 2024
High On Films