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When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’June 17, 2025 Ajay Rahul Raja
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Column What ‘Havoc’ Tells Us About Losing the Feel in Filmmaking? Ritesh Sharma June 7, 2025June 7, 2025
Column Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the Silenced Ishani Routh June 17, 2025June 17, 2025
Column When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’ Ajay Rahul Raja June 17, 2025June 17, 2025
Column Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find Out Ayan Dawn June 15, 2025June 15, 2025
When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’
Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (The Shepherdess and the Seven Songs, 2020)
Article · Essay Watching the unseen in Flesh [1968] and Trash [1970] David Morgan Brown February 20, 2021
Article · Essay Satoshi Kon: One of the most influential filmmakers of his Time Victor Uhlman July 10, 2024
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Essay Introduction to The Adult Animated Comedies of the ‘70s and ‘80s David Morgan Brown May 12, 2023
Essay There Will Be Blood: A Compulsive Capitalist against a Volatile Force of Nature Arun Kumar September 17, 2024
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