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Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
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ColumnThe Political Subtext of Govind Nihalani’s 1984 Satire ‘Party’ Is More Relevant Now Than EverSeptember 11, 2024 Shikhar Verma
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty
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Column Fourth Wall Break in Cinema and Its Relationship with Brechtian Dramaturgy Subhankar Das September 2, 2025
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Column The Optical Residue of a Nation: Fragments from Route One USA (1989) Pulkit Sharma August 30, 2025
Column How Spike Jonze’s ‘Her’ and Sofia Coppola’s ‘Lost in Translation’ Turned Loneliness Into Cinema Sumedha Chatterjee August 30, 2025
Column High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music Aja Haymore August 28, 2025
Column Guru Dutt’s Bombay Noir and Anguish Regarding the Emergent Urbanity Damayanti Ghosh August 25, 2025
