The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema July 31, 2025 Anju Devadas
Why do all the Contemporary Villains Sound Like They’ve Read Camus? July 30, 2025 Bipasha Bhattacharyya
Column Of Guns and Guilt: The Postmodern Antihero and His Mirror Subhashree Paul July 30, 2025July 30, 2025
Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhan’s Pokkuveyil (1982, Twilight) Rugmini Dinu July 30, 2025July 30, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas July 28, 2025August 3, 2025
Column · Featured The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain August 3, 2025August 3, 2025
Column Why do all the Contemporary Villains Sound Like They’ve Read Camus? Bipasha Bhattacharyya July 30, 2025July 30, 2025
The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future
Article · Essay [WATCH] Video Essay Explores The Generation Gap in Two Mike Nichols’s Classics Shikhar Verma February 20, 2021
Article · Essay The Overrated Phenomenon: Art of bashing the Popular Rohitavra Majumdar August 21, 2024
Article · Essay Watching the unseen in Flesh [1968] and Trash [1970] David Morgan Brown February 20, 2021
Article · Essay Satoshi Kon: One of the most influential filmmakers of his Time Victor Uhlman July 10, 2024
![[WATCH] Video Essay Explores The Generation Gap in Two Mike Nichols’s Classics](https://www.highonfilms.com/wp-content/uploads/2017/05/the_graduate-768x377.jpg)
![Watching the unseen in Flesh [1968] and Trash [1970]](https://www.highonfilms.com/wp-content/uploads/2016/10/flesh1-1.jpg)
High On Films
