High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music August 28, 2025 Aja Haymore
Long Story Short: Jewish Identity, Pandemic, and the Frame of Grief in Netflix Animated ComedyAugust 23, 2025 Naveed Zahir
Fractured Mirrors: Andrei Tarkovsky’s ‘Mirror’ (Zerkalo, 1975) Through a Lacanian Lens in Post-COVID TimesAugust 20, 2025 Ishani Routh
Column Emancipation and Labour: An Existentialist Analysis of ‘Mrs.’ (2023) as a Tale of Labour Exploitation Santosh Kumar Mamgain August 20, 2025August 20, 2025
Column Understanding the Post-Partition Riverscape of Padma in Ghatak’s ‘Komal Gandhar’ (1961) Keshab Ray August 18, 2025August 18, 2025
Essay Beyond The Vamp: Silk Smitha, Stardom, And The Politics Of Desire Anju Devadas August 18, 2025August 18, 2025
Column High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music Aja Haymore August 28, 2025August 28, 2025
Column Guru Dutt’s Bombay Noir and Anguish Regarding the Emergent Urbanity Damayanti Ghosh August 25, 2025August 25, 2025
Column Long Story Short: Jewish Identity, Pandemic, and the Frame of Grief in Netflix Animated Comedy Naveed Zahir August 23, 2025August 23, 2025
Article · Essay Watching the unseen in Flesh [1968] and Trash [1970] David Morgan Brown February 20, 2021
Article · Essay Satoshi Kon: One of the most influential filmmakers of his Time Victor Uhlman July 10, 2024
Essay Michael Cimino, Robin Hardy, Heaven’s Gate, The Wicker Man and the 3 separate versions of each Jeremie Richards October 1, 2024
Essay Introduction to The Adult Animated Comedies of the ‘70s and ‘80s David Morgan Brown May 12, 2023
Essay There Will Be Blood: A Compulsive Capitalist against a Volatile Force of Nature Arun Kumar September 17, 2024
![Watching the unseen in Flesh [1968] and Trash [1970]](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2016/10/flesh1-1.jpg)
High On Films
