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Column A Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’ Shivani Muralikrishna October 2, 2025October 3, 2025
Essay The Poetics of Broken Hearts: Intimacy and Identity in ‘Queer’ Kabir Deb September 26, 2025September 26, 2025
Column How Did Zubeen Garg Become the Heartbeat of Our Generation Kalpa Jyoti Bhuyan September 26, 2025September 26, 2025
Column ‘King & Conqueror’ and the Long Shadow of ‘Game of Thrones’ Ollie Wheaton October 9, 2025October 9, 2025
Column Who Owns Nature? ‘Jugnuma’ and the Politics of Ecological Memory Prerna Chatterjee October 9, 2025October 9, 2025
Column Between Surnames and Silences: The Unflinching World of Neeraj Ghaywan’s ‘Homebound’ (2025) Rhea Raj Shinde October 4, 2025October 7, 2025
Article · EssayWatching the unseen in Flesh [1968] and Trash [1970]November 16, 2016 David Morgan Brown
Article · EssaySatoshi Kon: One of the most influential filmmakers of his TimeOctober 7, 2016 Victor Uhlman
EssayMichael Cimino, Robin Hardy, Heaven’s Gate, The Wicker Man and the 3 separate versions of eachJuly 18, 2016 Jeremie Richards
EssayThere Will Be Blood: A Compulsive Capitalist against a Volatile Force of NatureMarch 6, 2016 Arun Kumar
The Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global Order
Article · Essay Watching the unseen in Flesh [1968] and Trash [1970] David Morgan Brown February 20, 2021
Article · Essay Satoshi Kon: One of the most influential filmmakers of his Time Victor Uhlman July 10, 2024
Essay Michael Cimino, Robin Hardy, Heaven’s Gate, The Wicker Man and the 3 separate versions of each Jeremie Richards October 1, 2024
Essay Introduction to The Adult Animated Comedies of the ‘70s and ‘80s David Morgan Brown May 12, 2023
Essay There Will Be Blood: A Compulsive Capitalist against a Volatile Force of Nature Arun Kumar September 17, 2024
![Watching the unseen in Flesh [1968] and Trash [1970]](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2016/10/flesh1-1.jpg)
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