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Column Iran’s One Battle After Another: Cinephilia vs. State Soumalya Chatterjee April 3, 2026April 4, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
Column Studying a ‘Non-Revolutionary’ in Satyajit Ray’s ‘Seemabaddha’ Damayanti Ghosh April 18, 2026April 19, 2026
Column · MUBI · Streaming Now The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World Damayanti Saha April 11, 2026April 12, 2026
Column The Bridge to the Self: A Personal Journey Through Cinema Saba Tsabadze April 9, 2026April 10, 2026
Article · EssayWaterland (1992) Analysis: A Subtle Apocalyptical Critique of the Episteme Called HumanSeptember 1, 2019 High on Films
Article · EssayHow Noah Baumbach’s Kicking and Screaming explores Post Academia Tedium and Meaning of LifeAugust 28, 2019 High on Films
Article · EssayHow “There Will Be Blood” and “Requiem For A Dream” Explore The Rotten American DreamJuly 22, 2019 Theodore Gercke
Article · EssayHow Martin Scorsese’s Mean Streets explores the themes of Penance and SalvationJune 17, 2019 Malu Barroso
Article · EssayHow Ingmar Bergman Explores Dissociation and Identity in PersonaJune 14, 2019 Nivedita Nair
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Article · EssayThe Film Industry’s Gender Parity, Ending Unsubstantiated DiscriminationMay 3, 2019 David Morgan Brown
The Proof of Your Existence: On ‘Queen & Slim’ (2019), Anger, Love, and the Meaning of Survival in a Collapsing World
Essay The Open Ending of Masaan: Subversive, Unconventional, Endless Shreya Chauhan September 9, 2024
Essay Dali and Surrealism: Art, Aesthetics and Psychoanalysis Shinji Alizeh Majumder December 5, 2024
Column How ‘Pather Panchali’ Redefined the Indian Film Aesthetics? Shinji Alizeh Majumder September 2, 2024
