Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Article · EssayHow “There Will Be Blood” and “Requiem For A Dream” Explore The Rotten American DreamJuly 22, 2019 Theodore Gercke
Article · EssayHow Martin Scorsese’s Mean Streets explores the themes of Penance and SalvationJune 17, 2019 Malu Barroso
Article · EssayHow Ingmar Bergman Explores Dissociation and Identity in PersonaJune 14, 2019 Nivedita Nair
Article · EssayJoker in Cinema: Infinitely elastic yet extremely constrictedMay 24, 2019 Ashwani Kumar
Article · EssayThe Film Industry’s Gender Parity, Ending Unsubstantiated DiscriminationMay 3, 2019 David Morgan Brown
Article · EssayThe Death of Death in Blockbusters – No-One’s Ever Really GoneApril 28, 2019 David Morgan Brown
Article · EssayWhy Alfonso Cuarón’s ROMA Is Essential for Young FilmmakersApril 2, 2019 High on Films
Article · EssayThe Unspoken Diversity Deficiency at the Oscars: Amount of Films & Foreign FilmsFebruary 12, 2019 David Morgan Brown
Column Religion in Horror Films: ‘Incantation’ and Its Real-World Parallels Nafees Ahmed August 5, 2024
Column Analyzing the Dreamworld of ‘All of Us Strangers’ through a Freudian Lens Srilekha Mitra July 27, 2024
Column The Ruins of Half-Forgotten Dreams in the Films of Nobuhiko Ōbayashi Srimayee Gangopadhyay July 26, 2024
Article · Essay Ridley Scott’s Gladiator (2000): Hollywood and the Road Always Taken Shahim Sheikh March 2, 2025
Column Depiction of Feminity, Othering, and Masculinity in the Iconic ‘Sex And the City’ Srilekha Mitra July 16, 2024
Essay Baba Yaga’s Bullet Ballet: John Wick and the Rebirth of Modern Action Cinema Aadesh Gupta July 20, 2024
Column Exploring Intersectionality in a Comedic World of ‘Tangerine’ (2015) Purusharth Chawla July 15, 2024
Column Selling Out – How ‘American Fiction’ Recalls Spike Lee’s ‘Bamboozled’ While Sanitizing its Subversive Edge Dorian Griffin July 13, 2024
Column The Count of Monte Cristo (2024): Action and Emotion – How to Find the Right Balance? Joséphine des Aulnois January 8, 2025
