Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
EssayWhy “Hungama Hai Kyon Barpa” is a Near-Perfect Tribute to Its InspirationJuly 18, 2021 Ahendrila Goswami
Article · EssayPhoenix (2014): “If I Do What You Tell Me, Will You Love Me?”July 14, 2021 Shahim Sheikh
Article · EssayUnderstanding Charlie Kaufman’s I’m Thinking of Ending Things (2020)June 11, 2021 Mansi Arora
Article · EssayThe Handmaid’s Tale [2017- ]: A Reflection of Both the Past and the FutureMay 27, 2021 High on Films
Column Why the Cult British Heist Film ‘The Italian Job’ is Still Worth Watching? Joséphine des Aulnois October 16, 2024
Article Who Is Satoshi Nakamoto from the HBO Max documentary ‘Money Electric: The Bitcoin Mystery’ and where is he now? Naveed Zahir October 10, 2024
Article If You Enjoyed ‘Rebel Ridge’ on Netflix, You Should Check Out the Director’s 2013 Crime Thriller Naveed Zahir October 8, 2024
Column Women in an Unforgiving World: Exploring Body Horror and Identity in Coralie Fargeat’s ‘The Substance’ Sakshi Salil Chavan October 8, 2024
Essay ‘Melancholia’ (2011) and the End of Everything: Exploring Depression, Despair, and the Human Condition Mohan Kumar October 3, 2024
Column The Tragedy of Selina Kyle: Michelle Pfeiffer’s Powerful Performance in ‘Batman Returns’ Megan Fisher September 25, 2024
Essay Maddening Ambiguity & ‘The Heiress’ (1949): An Inspiration for Scorsese’s ‘Killers of the Flower Moon’ Emily Holland September 24, 2024