The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
Lost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
Column How Quentin Tarantino Subverts World War II Narratives through a Postmodern Lens in ‘Inglourious Basterds’? Abirbhab Maitra September 3, 2025September 3, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
Column Our Girlhood Deserves Better Than ‘The Summer I Turned Pretty’ Prerna Chatterjee September 14, 2025September 14, 2025
EssayThe Strange Thing About Johnsons, Hereditary, and Midsommar: An Analysis of Family Horror in Ari Aster’s FilmographyJuly 15, 2023 Beatrice Gangi
EssayThe Universality and Timelessness of One Flew Over the Cuckoo’s NestJuly 15, 2023 Beatrice Gangi
Awards · EssayHow Neeraj Ghaywan’s ‘Masaan’ amplifies its themes through Visual StorytellingJuly 15, 2023 Parth Pant
Article · EssayLove, God and Silence: The Evolution of the Films of Ingmar BergmanJuly 14, 2023 Sam Sybert
EssayMichael Corleone: The Tragic Transformation of Cinema’s Most Complex Anti-HeroJuly 8, 2023 Çisemnaz Çil
ColumnHow Teamwork On and Off the Screen Transformed the Mission: Impossible Franchise July 7, 2023 Joséphine des Aulnois
EssayHow “Spider-Man Across the Spider-Verse” challenges the very identity of Spider-Man and its intersectionalityJune 22, 2023 Amartya Acharya
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Article · Essay Shardul Thakur Comes Out of the Closet: A Nuanced Portrayal of Queerness in Badhaai Do Ahendrila Goswami February 14, 2022
Article · Essay Blind Chance (1987): A Flurry of Missed Opportunities Amidst Turbulent Times Pranjal Singh February 9, 2022
Article · Essay Silence & Violence – How the Bank Robbery Scene in ‘Hana-Bi’ Discretely Disrupts Order, Whilst Maintaining its Facade High on Films February 4, 2022
Article · Essay 20 Years Of Harry Potter and The Sorcerer’s Stone: What Made The Wizarding World So Enchanting Aryan Vyas July 10, 2024
Article · Essay Culture of the Mad, Sad and Crass: The Asian Filmmakers Who Owned It High on Films February 3, 2022
Article · Essay A Ghibli-esque Journey: The Immersive Realism of Studio Ghibli High on Films January 26, 2022
Article · Essay Why A Hero (2021) is Farhadi’s Close-Up; An Analysis of Farhadi’s Filmmaking Mechanics! Ashwani Kumar January 24, 2022
Article · Essay Romanian Spring in World Cinema: A Spotlight on Romanian Cinema Balachandran Chirammal January 24, 2022
Article · Essay The Lost Daughter (2021): The Portrayal of Motherhood in A Nonchalant Psychological Drama Aqsa Aleem January 21, 2022
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